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Events

Qualifications and Experience

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Consoles
 

  • Yamaha 

  • Midas & Behringer

  • Allen and Heath

  • Digico

  • Soundcraft

  • SSL


 

DAWs
 

  • ProTools

  • Logic Pro

  • Nuendo​​​​​​

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Microphones I Use
 

Shure
ULXD Wireless System
Audio Technica
Neumann
Electro-Voice
AEA
Rode
DPA
AKG
Schoeps
Avantone
Earthworks
Austrian Audio
Telefunken

Senheiser
Beyerdynamic

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Gear I Use
 

  • Neve 5024, Neve 511, C1 Mix Bus Compressor, Manley FLOP, Manley Stereo Variable MU, UA 6176, Dangerous Bax EQ, Distressors, Apogee Symphony, DBX 1066, DBX160A, DAKING FETIII, Drawmer 1968, Drawmer 1973, API 550A, API 512C, API 3124, Lexicon PCM96, Yamaha REV500, Yamaha SPX 990, Patchbays, P16s, Vintech Audio Model 473, SSL XLogic Alpha, SSL 611 E-EQ, SSL 611 E-DYN, Meyer RCF HDL6-A line arrays with 900-LFC sub, Rio1608-D2, L-Acoustics A Series line array

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Professional Experience
 

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  • Live mixing, FOH, local reinforcement, live stream, live to 2-track and multitrack recording of live performances
     

  • Studio mixing & stereo bus mastering
     

  • Studio tracking, overdubbing, comping, proficiency in plugin & effects processing
     

  • Microphone knowledge & techniques
     

  • Private events, graduation ceremonies, fundraisers, and corporate events
     

  • Dante & AoIP

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Training and Certifications 
 

  • Dante Certification – Level 1

  • City College of New York, Sonic Arts Program

Qualifications & Experience
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Audio Examples
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